Long Overdue Process Post

I've always loved it when illustrators make posts about how they create their images. If anything, it demystifies their process and reveals a great deal of work and planning that goes behind every picture- that illustrations don't just come out of thin air. Also it helps to have someone else's process to refer to when you're trying to find one that suits you. That said, I'm gonna give you a run-through of how I made this image:

It starts with idea generation, otherwise known as writing stuff in a notebook. For this illustration, I was given the prompt "too much family" and from there I was free to do whatever. That's a lot of freedom, but without any direction, it's hard to figure out where to start. So I wrote the prompt down, and from there jotted down words and phrases that I associated with it. This is kind of a stream of consciousness thing, so editing takes a back seat. The more I can "blurt" out, the better. This page is a fairly restricted version of this step:


As you can probably see in the picture, I then start circling words that kind of stick or relate more directly to the prompt, and from there I make a sentence from those words. This is my point of departure to begin drawing. How literally I interpret this sentence depends on what I'm working on (or who I'm working for).

Thumbnails come next, and I'm admittedly learning to take more time making these. Doing so helps me come up with a idea of how I am going to arrange certain visual elements and create a compelling composition.

I pick my favorite,then scan and enlarge it a bit. If I wasn't given so much freedom with this assignment, this would be the point where I would email this to see if it gets the yea/nay.

The next step is pretty cool, because I get to use a donated relic of MCA's design department: an old Artograph 1000-J projector, otherwise known as the "Lucy".

I take my selected thumbnail, already enlarged, and blow it up even more on a larger sheet of paper. From here, I get a refined sketch.

Once the pencils are laid out, I move on the the lightbox. The sketch is taped down to keep it from slipping while I'm inking. Same story for the paper that I'm using for the inked drawing.

This is where I get REALLY meticulous. I made a few attempts to record this part of the process. If there is heavy breathing and sighs, I apologize.

This is the finished black and white drawing:

The drawing is scanned in piece by piece (my scanner is too small to capture the entire image). Also scanned are some failed inkjet prints, to use as textures. I then proceed to Photoshop to color the illustration. For the sake of keeping this post fairly condensed, I will save my Photoshop process for a later post. Fast forward through hours of red-eyed labor and we come back to the finished image.

Selected Sketchbook Spreads (September- October 2009)

Mata Mash-Up: From Line Art to Finished Piece

I finished an ink/graphite drawing last week after three pretty intense sessions. It was like solving a puzzle that kept producing new pieces as more progress was being made. Throughout the process, I took pictures of the drawing at various stages. The first stage is the line art, which consisted of enlarged and traced sketches I made while riding the 50 Mata bus.



From there, I started blocking in areas with ink wash. The ink is Walnut ink, which is REALLY good for transparent washes, and the tones are SOOOO rich! While I was at this point, it also seemed like a good idea to start doing a bit more pencil work, to get a little contrast going.

I took a short break from it to get a refreshed view, and the consensus was that there was too much open space that needed to be taken care of. Not to mention I had been really meticulous up to this point, so an element of spontaneity was needed. ENTER THE LEFTOVER COFFEE MUG (as seen in the far right of the next image)!

Much better...

From here, I just keep trucking along, carefully applying more washes, rendering in graphite, and adding elements as needed until I come to a stopping point.

Here are some details of the finished 15"x22" drawing.

My 8-Hour Attempt at the 24 Hour Comic Challenge

I had no idea the challenge was even happening at MCA until a few hours prior, which is good- There's less temptation (or time for that matter) to preemptively plan out a comic. I couldn't stay for the entire thing because of work and other engagements, but here's what I have to show for my time.

This is the first page. I scanned it in color to show the non-photo blue pencilling done before the inking. I drew out and lettered all four pages before getting to the inks, which took about an hour per page.

Here are the finished pages, finished after four more red-eyed hours.

I'm Pitchin' My Wares!

This is kind of last minute advertising, but for those who may be browsing the web at odd hours or checking first thing in the morning, here's an itemized list of what I will be selling at the Cooper Young Festival this Saturday, and afterward (depending on availability):

Limited Edition Prints ($15 each)

Minis! ($5 each, custom cover drawn upon purchase)

Sketch card commissions ($15 for 6"x8" cards/ $7 for 3"x4" cards)

Original artwork (best offer, minimum $30)

If you're going to be at the festival, stop by the Rozelle Artists Guild booth (A70) between Evelyn and Nelson. We'll appreciate your company and your patronage.