Here's my Nova redesign put through an Ancient Egyptian filter. Lots of fun experimenting with hand drawn layers of texture. Side note: I need to quit making pieces that require large format scanning when I don't have a large format scanner.
I recently submitted a piece for the "Life Over AIDS" show, hosted by Caritas Village. The exhibition is intended is to raise awareness about HIV/AIDS. I drew the image above after reading this list of statistics from The Centers for Disease Control website, which states:
"At some point in their life, approximately one in 16 black men will be diagnosed with HIV..."
That's a pretty scary (and small) number, especially when dealing with HIV and AIDS. I'm part of the aforementioned demographic, so that stat also strikes a personal chord.
For info about Caritas Village and the show, follow this link.
I don't want to make any promises, but I think I'm starting to pick up a bit of a sketchbook bug, enough so to motivate more posting. The top two spreads are from today and the bottom three are from my contribution to Project Sketchbook.
One of the biggest organized rides in Memphis is happening this weekend! If you've got a bike, and you're in Memphis, and you like, I don't know... FUN, you should totally participate in this year's event. Go to midnightclassicbiketour.org for more details!
From this past Tuesday's edition of Memphis Daily News, which featured a story about Project Sketchbook. I normally try to keep my face out of the blog a much as possible, but I was pretty excited about the article. My credentials were apparently more impressive than I remembered- I had no idea that I held a MASTER' DEGREE! If only I could find some printed copies of the paper...
So, there's been a bit of a comic-character-redesign bug stirring about, and it's finally gotten to me. I chose to redesign Catwoman, but instead of a variant of her existing costume, I made a bit of a departure from the well known design.
I was recently informed about a nib that would possibly convert me from brushes, or at least use something else besides them for my ink work. I was skeptical about it, since I've had some iffy experiences with nibs in my undergrad work. But sure enough, after giving the Mitchell Gillott #303 test run, I've come to this conclusion:
This thing owns harder than any tool that I used for ink thus far.
I'll be looking do some fresh stuff with ink in the near future, but in the meantime, here's some doodles I did at work with the nib and my dirty, inky fingers.
This piece (still in progress) is slated to be my entry in a contest to win a scholarship to next year's Illustration Academy. It's a bit of a departure from my usual working methods. I've still got some noodling to do, so I'll be posting the finished piece, along with some more "Monster City" comics a bit later.
This is from the first issue of "PLOP", slated for release sometime this summer. It's a self-published comic zine that'll feature work from Gino Barzizza, John Lee, Alex "Warble" Harrison, and myself.
These were a lot of fun to draw, and I couldn't have done it without the help of a handful of awesome volunteers. I hope that more people offer their likenesses. I want a village of these guys.